CRITIC'S NOTEBOOK: It includes such classics as 'The Third Man' and 'The Fallen Idol' and lesser-known ones such as 'Brighton Rock' and 'It Always Rains on Sunday.'
MOVIE REVIEW: This stop-motion animated film based on a Belgian TV series is filled with strange and wonderful talking people and animals who, yes, panic at the drop of a hat.
By Kenneth Turan FILM CRITIC REPORTING FROM PARK CITY, UTAH >>>
SUNDANCE FILM FESTIVAL: Besides her preference for poignancy and his aim for macho violence, of course. Their commitment to their artistic visions brings them together -- and sets them apart from others.
SUNDANCE FILM FESTIVAL: The documentary on pro-life and pro-choice facilities sharing the same Florida intersection left Rachel Grady and Heidi Ewing shaken by the plight of the women they encountered.
MOVIE REVIEW: Heath Ledger's last project is as unusual and idiosyncratic as its title, and it's Terry Gilliam's most original and accessible work in years.
MOVIE REVIEW: Jeff Bridges is on the road to an Oscar as hard-living country singer Bad Blake. Excellent music and Colin Farrell's impressive turn as a Blake protege and rival are added bonuses.
MOVIE REVIEW: A young Dominican aspires to be a major league pitcher. But the film is about much more than balls and strikes. It's about self-discovery.
MOVIE REVIEW: A documentary convincingly makes the case that designer Valentino's lavish lifestyle is matched only by the talent that has kept him at the top of the fashion industry for 45 years.
MOVIE REVIEW: Abdellatif Kechiche's film, which won France's Cesar for best picture, is an involving look at a Tunisian immigrant community on the French Mediterranean.
Oliver Stone's film is satirical and critical but not scathing. Josh Brolin's empathetic portrayal of the president helps make for a pleasing, effective film.
MOVIE REVIEW: "Look Both Ways" is a fearless movie about a fearful subject, an unusually empathetic and quite funny film that deals with death and dying in the most offbeat and casually life-affirming way.
MOVIE REVIEW: Made nearly 40 years ago, Richard Brooks' film version of Truman Capote's book has been reissued just in time for Sunday's Academy Award festivities.
MOVIE REVIEW: Judi Dench gives a star turn as a London theatrical matriarch during World War II, and Bob Hoskins is a perfect foil in Stephen Frears' polished film.