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MOVIE REVIEW
'The Order of Myths'A documentary on Mobile, Ala.'s twin Mardi Gras celebrations -- one for blacks, one for whites -- paints a revealing portrait of the history and consequence of race relations in the South.
By Robert Abele, Special to The Times
Race and opulently hand-sewn gowns matter in "The Order of Myths," filmmaker Margaret Brown's brilliantly captivating examination of Mobile, Ala.'s, entrenched tradition of racially segregated Mardi Gras celebrations. From the dresses to the parties to the parades to the master-planned coronations of a new king and queen, Brown shows the black and white communities erecting their respective carnivals with unbridled enthusiasm.
But what also becomes clear is an ever-nagging acknowledgment that a blighted, color-defined past inevitably connects them. It is only one of the movie's bracing disclosures that both Mardi Gras queens can trace their ancestors to the city infamy of its building and harboring the last slave ship to reach American shores, the Clothilde in 1860.
"The Order of Myths" is an invaluable portrait of us-and-them America, a smart, generous, poignant, quietly disturbing movie about secrecy and hospitality, and how easy it is for a tradition of separateness to flourish when the stakes are as deceptively frivolous as an eye-popping yearly party. "The Order of Myths." Unrated. Running time: 1 hour, 20 minutes. At Landmark's Nuart Theatre, 11272 Santa Monica Blvd., Santa Monica, (310) 281-8223. To order a reprint of this article, please click here. |
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