|
MOVIE REVIEW
'The Texas Chainsaw Massacre: The Beginning'Fleshing out the story, in all its gore.
By Sam Adams, Special to The Times
"Meat's meat and bone is bone," proclaims Hoyt (R. Lee Ermey) as he prepares a particularly gory repast. The makers of "The Texas Chainsaw Massacre: The Beginning" take a similarly elemental approach to the revived franchise's latest installment. There's hardly a body part that isn't mangled or lopped off, ground up or sliced through. Although it's billed as a prequel to the 2003 remake, "Beginning" owes much to the brutal brilliance of Tobe Hooper's 1974 original (pointedly unmentioned in the new movie's press kit). This is not a slick, jokey horror movie in the post-"Scream" mold, but a genuine attempt to strip the coating from the audience's nerves. It's nasty and brutish, if not particularly short.
Brothers Eric (Matt Bomer) and Dean (Taylor Handley) are steeling themselves for the horrors of the Vietnam war when inhumanity rears its head closer to home. As they're crossing the Lone Star state with their girlfriends Chrissie (Jordana Brewster) and Bailey (Diora Baird), their Jeep pulverizes a cow on the interstate. The man in a sheriff's uniform who pulls them from the wreckage already seems like an authoritarian nightmare straight out of "Easy Rider" or "Cool Hand Luke." Little do they know Hoyt has just made the real sheriff into stew for his cretinous brood.
The original Massacre's" strength was its inversion of heartland bromides: The small-town sheriff was a grinning monster, the family dinner table piled high with cannibal gore. But there's no sense of betrayal in "The Beginning," which views the values whose erosion Hooper lamented as no more than kitsch. Surely, a group of four nubile teenagers whose car breaks down in the middle of nowhere should know that the people who come to help them are homicidal maniacs. Haven't they seen a horror movie before? 'The Texas Chainsaw Massacre: The Beginning' MPAA rating: R for strong horror violence/gore, language and some sexual content. A New Line Cinema release. Director Jonathan Liebesman. Writer Sheldon Turner, based on a story by Turner, David J. Schow. Director of photography Lukas Ettlin. Editor Jonathan Chibnall. Running time: 1 hour, 20 minutes. In general release. To order a reprint of this article, please click here. |
|
||||||||||||||||||||||||||||||||||


