calendarlive.com
  Latimes.com | Entertainment News Submit Events | Advertise | Print Edition | Archives | Help  
 
calendarlive
 
  ART & MUSEUMS
BOOKS & TALKS
FAMILY & FESTIVALS
MOVIES
MUSIC
NIGHT LIFE
RESTAURANTS
THEATER & DANCE
TV & RADIO
 
 PARTNERS
vindigo zap2it opentable
Interested in music?

The Los Angeles Times has replaced Calendarlive with a new and improved local entertainment site:

TheGuide.Latimes.com


April 16, 2008 E-mail story   Print  

JAZZ REVIEW

Live: 'In Love With the Music of Antonio Carlos Jobim'

 

Band, orchestra or artist:
Music venue name:

Find by category:






 
 Classical Music
S M T W T F S
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
 Jazz Calendar
S M T W T F S
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31
 Pop Music Calendar
S M T W T F S
4 5 6 7 8 9 10
11 12 13 14 15 16 17
18 19 20 21 22 23 24
25 26 27 28 29 30 31

 Music

 Most E-mailed

By Don Heckman, Special to The Times

As a concept, "In Love With the Music of Antonio Carlos Jobim" sounded like an unforgettable evening -- a "one-act musical" that included nearly 20 tunes by the Brazilian who was one of the premier songwriters of the last four decades, narrated by Gavin MacLeod, no less.

Delivered as a staged reading at the Jazz Bakery Monday night, the production cobbled together the Jobim material with a lightweight running story line about a romance between a beautiful young Brazilian ("The Girl From Ipanema," played by Debi Nova) and her two admirers (the young, strapping Will Collyer and the older, wealthier Amick Byram).

ADVERTISEMENT
Conceived and written by Ernest Chambers, with special material by Ken and Mitzi Welch, the narrative was peppered with gags distinctly reminiscent of "The Love Boat" era of television sitcoms (not surprising, perhaps, given the presence of MacLeod, who played the captain in the '80s hit series). Too often, though, the story interrupted the pleasures of the Jobim songs.

Fortunately, the actors brought unique qualities to their vocal interpretations.

Byram, whose big, musical theater voice was heard as Moses in the 1998 animated film "The Prince of Egypt," added warmth and musical intimacy to everything he sang. He was particularly effective in his reading of the lovely, rarely heard "This Happy Madness."

Collyer's lighter, briskly rhythmic style was at its best in duets with the other two singers -- especially a vigorously contrapuntal take on "One Note Samba" and a sensitive rendering of "Once I Loved."

Nova was also effective in duets -- especially "Two Kites" and "Quiet Night of Quiet Stars" -- less so when she unexpectedly launched into distracting scat singing on "No More Blues."

Music director/pianist Bill Cantos, guitarist Pat Kelley and drummer Michael Shapiro did yeomen jobs of pulling together the disparate, often uneven qualities of "In Love With the Music of Antonio Carlos Jobim."

But ultimately, it was a concept that failed to live up to its extraordinary potential.






 
 


Copyright Los Angeles Times
By visiting this site, you are agreeing to our Privacy Policy
Terms of Service