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Wednesday, May 14, 2008

Mark Swed, Music Critic

Live: The L.A. Philharmonic at Disney Hall
By Mark Swed
MUSIC REVIEW:  An interpretation of Mahler's 'Das Lied von der Erde, ' led by Esa-Pekka Salonen, is clear-headed yet profoundly expressive.
May 12, 2008
Live: The Philharmonia Orchestra
By Mark Swed
MUSIC REVIEW:  Conductor Christoph von Dohnanyi is mighty formidable as he makes his last tour with the group.
May 8, 2008
'Seduction and Despair'
By Mark Swed
MUSIC REVIEW:  John Malkovich works with Musica Angelica on a multimedia musical theater piece that proves promising but sketchy.
May 6, 2008
By Mark Swed
MUSIC REVIEW:  Throat singer Tanya Tagaq mesmerizes in her L.A. debut with the Kronos Quartet.
May 5, 2008
By Mark Swed
MUSIC REVIEW:  The L.A. Phil, under Salonen's baton, blurs the divide between Brahms and Wagner.
May 3, 2008
By Mark Swed
OPERA REVIEW:  Choreographer Mark Morris brings his once taboo-breaking, now classic interpretation of Purcell's opera to Irvine.
April 24, 2008
By Mark Swed
MUSIC REVIEW
April 26, 2008
By Mark Swed
MUSIC REVIEW:  Tenor marks 40 years on the Dorothy Chandler stage in gala fashion.
April 21, 2008
By Mark Swed
MUSIC REVIEW:  On its farewell tour, the trio plays its last concert in L.A. among friends.
April 19, 2008
By Mark Swed, Times Music Critic
CRITIC'S NOTEBOOK:  With the celebrities gone and the galas over, the L.A. Phil can settle in to its highly hailed new home.
October 29, 2003
By Mark Swed
DISNEY HALL
July 1, 2003
By Mark Swed, Times Music Critic
MUSIC REVIEW:  Sight and sound complement each other as the ensemble opens its season with works by the late Earle Brown.
October 31, 2003
'Paper' leaves a trail of missed opportunities
By Mark Swed, Times Music Critic
MUSIC REVIEW:  The Philharmonic's piece for children is entrancing, but the young audience is shortchanged.
November 17, 2003
By Mark Swed
MUSIC REVIEW
April 17, 2008
By Mark Swed
MUSIC REVIEW:  Visiting Los Angeles, the German avant-gardist revisits several of his studies in sound.
April 16, 2008
By Mark Swed
OPERA REVIEW:  The Metropolitan takes Philip Glass' work on Gandhi to exalted levels.
April 14, 2008
Live: Laurie Anderson in Santa Barbara
By Mark Swed
PERFORMANCE ART REVIEW:  To save what she calls a distracted society, the multimedia artist takes it upon herself to strip the narrative.
April 11, 2008
By Mark Swed
MUSIC REVIEW:  Ursula Oppens takes an exhilarating turn at Elliott Carter's complex piece.
April 10, 2008
La La La Human Steps
By Mark Swed
DANCE REVIEW:  Édouard Lock's Montreal company rethinks Tchaikovsky with 'Amjad' at Royce Hall.
April 7, 2008
By Mark Swed
MUSIC REVIEW:  Led by Thomas Dausgaard, the orchestra plays Beethoven and Schumann with raw energy in Orange County.
April 7, 2008
By Mark Swed
MUSIC REVIEW:  As Dudamel unravels an exuberant program, soloist Leila Josefowicz matches him, zeal for zeal.
April 5, 2008
By Mark Swed
MUSIC REVIEW:  Andrew Manze demonstrates how Beethoven's Third changed the genre.
April 4, 2008
By Mark Swed
MUSIC REVIEW:  John Corigliano's new 'Circus Maximus' is presented with plenty of theatrical power.
April 1, 2008
By Mark Swed
MUSIC REVIEW:  Energy marks a significant night for the conductor in a program with works by Salonen and Berlioz and an appearance by pianist Simon Trpceski.
March 31, 2008
By Mark Swed
MUSIC REVIEW:  The fourth season of this electronic music series attracts a diverse group of Sonic-philes.
March 31, 2008
By Mark Swed
MUSIC REVIEW:  The future music director takes a deferential role in Philharmonic Chamber Music Society concert.
March 28, 2008
By Mark Swed
SAMPLINGS
March 30, 2008
By Mark Swed
MUSIC REVIEW:  The L.A. Phil catches up with Carter and adds new works by Frank and Meltzer.
March 27, 2008
By Mark Swed
MUSIC REVIEW:  The two-piano duo performs Messiaen for Santa Monica's new-music series, Jacaranda.
March 24, 2008
By Mark Swed
MUSIC REVIEW:  The violinist's technique stands out in her debut with the Los Angeles Philharmonic.
March 22, 2008
By Mark Swed
MUSIC REVIEW:  The L.A. composer creates feisty works with French color and jazz rhythm.
March 19, 2008
By Mark Swed
MUSIC REVIEW:  A recorder quartet with 'tude and a quick-thinking pianist find new ways to connect.
March 18, 2008
By Mark Swed
OPERA REVIEW:  No opera per se, just a night with Michael York at the helm.
March 17, 2008
By Mark Swed
MUSIC REVIEW:  Conductor Semyon Bychkov leads the symphony through Shostakovich's Seventh.
March 15, 2008
By Mark Swed
MUSIC REVIEW
March 8, 2008
By Mark Swed
MUSIC REVIEW:  Twenty-five-year-old piano marvel Lang Lang has killer technique but immature judgment.
March 6, 2008
By Mark Swed
MUSIC REVIEW:  An experienced cast performs the story of a king's passion and its fallout in 'Radamisto' by Musica Angelica.
March 4, 2008
By Mark Swed
CRITIC'S NOTEBOOK:  The performance in Pyongyang brings needed attention to the orchestra and could help break the ice between countries.
February 28, 2008
By Mark Swed
MUSIC REVIEW:  Czech Philharmonic, under a little-known conductor, offers some unearthly sounds.
February 27, 2008
By Mark Swed
MUSIC REVIEW:  Two Pomona College concerts illuminate 20th century composer Messiaen's best-known works. Too bad attendance is poor.
February 26, 2008
By Mark Swed
OPERA REVIEW:  It's still not perfect, but the Los Angeles Opera production is a lot better with its radiant Chilean soprano healthy at last.
February 23, 2008
By Mark Swed
Oscar-nominated Marion Cotillard uses her eyes the way the French chanteuse used her voice in 'La Vie en Rose.'
February 24, 2008
By Mark Swed
OPERA REVIEW:  Donizetti's 'Maria Stuarda' returns, and the result is less than historic.
February 21, 2008
By Mark Swed
OPERA REVIEW:  Strong 'Voices' speaks to deeper meaning
February 19, 2008
L.A. Opera's 'Otello'
By Mark Swed
OPERA REVIEW:  L.A. Opera's fresh production brims with potential but must work out a few glitches.
February 18, 2008
By Mark Swed
MUSIC REVIEW:  Jordi Savall puts world history in perspective in 'Lost Paradises,' his program celebrating a golden period in Spain.
February 15, 2008
Powerhouse 'Flute' subdues picnickers
By Mark Swed
OPERA REVIEW:  L.A. Philharmonic’s ‘Magic Flute’ is a no-nonsense powerhouse.
July 10, 2007
Life's rhythms pulse through Ojai festival
By Mark Swed
MUSIC REVIEW:  Pianist Pierre-Laurent Aimard, this year's guiding force, embraces humanity and nature.
June 12, 2007
Domingo, cast find their perfect match in ‘Luisa’
By Mark Swed
OPERA REVIEW:  Plácido Domingo and L.A. Opera have a winner with 'Luisa'
June 5, 2007
Pacific Symphony rediscovers Mexico
By Mark Swed
MUSIC REVIEW:  A polyglot festival reflects the nation's musical roots, which have much in common with those of the U.S.
April 17, 2007
A fine weekend for chamber music
By Mark Swed
CRITIC'S NOTEBOOK:  Three Southland venues offer awe-inspiring pieces.
March 20, 2007
By Mark Swed
MUSIC REVIEW:  Kronos gives an epic West Coast premiere of Gorecki's second Third.
February 20, 2007
Please, give him room to mature
By Mark Swed
CRITIC'S NOTEBOOK:  Jay Greenberg's talent is immense, but for the teen to grow, the music industry has to back off.
September 6, 2006
A retreat charges on
By Mark Swed
CRITIC'S NOTEBOOK:  Swathed in a colorful past, the Ojai Festival is modest, informal and world-class.
June 4, 2006
Performing Rauschenberg
By Mark Swed
CRITIC'S NOTEBOOK:  The artist's Combines aren't limited to canvas — they come alive in music and movement as well.
May 21, 2006
 
 


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