MOVIE REVIEW
'School for Scoundrels'Nothing’s too silly inside this comedy.
By Robert Abele, Special to The Times
The comedy "School for Scoundrels," about a victimized, love-struck New York meter maid (Jon Heder of "Napoleon Dynamite") who gets tutored in jerky alpha male-ness, may not be as devilishly enjoyable as its title suggests, but it's by no means like waiting for the reprieve of an end-of-class bell, either. Loosely based on a 1960 British comedy, this is a modest education-of-a-punching-bag entertainment with a kind of breezily rude compatibility — a hallmark of sorts for both co-writer/director Todd Phillips ("Road Trip," "Starsky & Hutch") and the wonderful actor assigned to play the self-help instructor from hell, Billy Bob Thornton.
Last year, audiences responded merrily to a similar comic setup in which the adventures of Steve Carell's hapless sexual neophyte led to sparkling, incisive relationship humor in "The 40 Year-Old Virgin," but this movie's intentions are more safely in the region of: laugh here, laugh here, fist pump when Heder gets his revenge, and so on.
Needless to say, personality breakdown is inevitably more amusing than the confidence-building a happy ending requires, which means Thornton's villainous drill sergeant is the film's real laugh weapon. Heder's Ichabod Crane shtick may make him Hollywood's favorite new point-and-laugh target, but it's the "Sling Blade" actor's emergence in recent years as a comedy star, playing hilariously brittle, insult-wielding satyrs in sardonic corkers such as "Bad Santa" and "The Bad News Bears" that's become the real master seminar in scoundrel-hood. In a Heder/Thornton matchup, you're not altogether sure you want to see teach lose. 'School for Scoundrels' MPAA rating: PG-13 for language, crude and sexual content and some violence An MGM/Dimension Films/Weinstein Co. release. Director Todd Phillips. Screenplay Phillips and Scot Armstrong. Producers Phillips, Daniel Goldberg, J. Geyer Kosinski. Director of photography Jonathan Brown. Editors Leslie Jones, Daniel Schalk. Running time: 1 hour, 41 minutes. In general release. To order a reprint of this article, please click here. |
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