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CAPSULE MOVE REVIEWS:
"Roman de Gare" -- a witty yet ultimately poignant guessing game in which nobody is quite what he or she seems -- is arguably Claude Lelouch's best film. Its title translates as "airport novel," and Lelouch pays homage to the lure of those high adventures by mining one of his typically extravagant plots for both humor and pathos, raising provocative questions of identity and of the confusion of truth and fiction.
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MOVIE REVIEW:
It's a darker alternate world for the heroic Pevensie clan this time, but everything unfolds in an assured, kid-friendly manner.
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MOVIE REVIEW:
Tim Robbins's David is looking for a little peace and quiet.
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MOVIE REVIEW:
Norwegian director Joachim Trier captures youth in all its idealistic glory.
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MOVIE REVIEW:
Chris Eigeman's character study starring Famke Janssen and newcomer Jaymie Dornan is well acted but without purpose.
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MOVIE REVIEW:
A look at the building of China's Three Gorges Dam and the displacement of 2 million people.
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MOVIE REVIEW:
This chick flick has lots of drive, and it's OK for guys too.
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GAME DAY:
Iron Man has good graphics and dialogue but is hard to control. Speed Racer is dull racing on color overload.
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MOVIE REVIEW:
Immigration, as seen through the lens of one Indian family.
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MOVIE REVIEWS:
Also: 'A Previous Engagement,' 'Before the Rains,' 'The Dhamma Brothers'
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MOVIE REVIEW:
The juvenile and confusing vehicle idles too long with all that yak, yak, yak.
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MOVIE REVIEW:
Harmony Korine revives his signature surrealism in 'Mr. Lonely,' starring Diego Luna.
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MOVIE REVIEW:
Harmony Korine revives his signature surrealism in 'Mr. Lonely,' starring Diego Luna.
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MOVIE REVIEW:
The romantic comedy has a weak premise and most of its humor is based on clichés.
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MOVIE REVIEW:
The romantic comedy has a weak premise and most of its humor is based on clichés.
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MOVIE REVIEW:
Writer-director David Ross ignores the ickiness of grown men wanting to have sex with teen girls.
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MOVIE REVIEW:
The film is all dressed up but goes nowhere
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MOVIE REVIEW:
Michael Madsen stars as a battered, corrupt officer in an unoriginal, fast-paced cop movie.
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Documentarian Errol Morris finds the chill in our interrogation practices.
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